Geekin', oh girl. I have been working on more of these Home Sweet Home pictures and have begun to shorten tasks, work with the marvelous blob brush (shift + b) which fills well combined with the multiply transparency feature. I admit, they are not speedy...but quicker than in Photoshop. Working with these images forces me to think about color (I am using Kuler palettes, saving them, amending them and keeping that color biga going). And, some aspects of these illustrations work better than others as well (from a design standpoint)--so I keep learning as I go.
And then, there is the cmyk, rgb crossover which is always perplexing. When the list of all the tricky things that makes the work work...then, it will be time to hang up the boxing gloves. Ah well.
A loaf of Pain Levain is sitting on my little electric heater right by my right hand. I am going to give it one more rise than what is mentioned in the recipe. I was reading an interesting book about the Brother Juniper Bread Bakery in California, a wonderful philosophical / spiritual journey through bread...and he was talking about letting the dough have its time to grow and develop. He sprinkles in little bits of data and science (I think its all magic, to be honest) which is sticking to the inside of this head...and that you can continue to rise the bread a few times...but to watch it from going too far. The idea is to allow the yeast/sourdough to ferment to deepen the flavor. Makes sense to me.... We'll see. The proof is definitely in the pudding...or slice.
I am thrilled that I got my resume up here ( About Q.)...and that I have current shows, exhibitions etc up versus the time and trial to get my QCassetti.com amended. I am going to transfer qcassetti.com and theluckystone.com to this page to let it all coexist. I am fiddling with galleries (the 2300˚ postcards under the Luckystone is an example of treatment). I originally kept the websites separate as it was preached at Syracuse that art directors/designers did not want to know if the illustrator was a designer and could handle type. I was fearsome about that, but now, I do not care. It is best for me to show my entire work as a whole versus a little bit here and a little bit there. Plus, I find the illustration work for myself. That's where I am happiest.
A mini pile of rush jobs have just popped up in my mailbox. Yeeesh.
More later, I hope.