glimmer

Flippity Flop color, Q. Cassetti, 2011, pen and ink, digitalSo, a new technique is emerging. Not exactly new…but taking these detailled black and white line drawings beyond black and white. I add tone via Photoshop (see yesterday’s image) using postitive and negative aspects of the original line work along with tone added via brush and eraser. Then, the toned piece is the base for the coloring (see above). I am thrilled with the way this is looking. lots of detail, and it is working as a color piece too. So, now onward to working with it. I do not know why Memento Mori images popped back up, but they have and I am looking at Mexican Sugar Skulls again with happiness in my head and pen.

Speaking of pens, do you know about the refillable Copic SP Multiliner pens? There is a wide wide range of widths along with a brush that is permanent. Sweet. Jet Pens have them…. and of course, they have wild and wonderful Japanese office supplies.

I am a bit nuts as a bunch of rushes were plopped inbetween me and the preexisting work that will keep me in my chair until at least 8 tonight. I would like to be able to leave before 7 on a more regular basis. It gets a bit tedious, but books on tape keep me wanting to work to stay with the story (thank goodness!).

Gotta go.

Chocolate Chip Painting

Sirin 2 colored, Q. Cassetti, 2011, pen and ink, digitalI was purusing my Painter Wow book. Painter is a program I know a bit and feel that there would be a lot there, but it just seems so filled with bells and whistles that it becomes a struggle to do something tasteful. I think its great for me to add surface texture, create masks, and create swatches. As I was saying, the Painter Wow book was talking (and showing) these brushes made from a photo of chocolate chips….thats a WOW for me. Imagine, painting with chocolate chips…? What if Rembrandt or Picasso had these tools? Would their work be any better? any more original? or would it settle into the realm of mall art that much of this Painter stuff looks like. But, I need to remember, the tool is a tool, its the hand (and head) attached to the tools that are making the taste judgements.

Was fiddling with tinting these line drawings (as shown to the left). I took the line drawing and dropped in grey tones (like real painters) and then went in with color to get where we are now. I am not sure of it…but figured its work, and work in progress…

Am working on a portrait (saved it out yesterday) in a line drawing approach. I have saved it to vectors as it will go up in size, and i think we are close on that.

Wednesday with a pearly sky

After Ganga Devi, Q. Cassetti, 2011, sharpiesWorking away on finalizing the Hangar work—with a portrait of two guys (“Oscar and Felix” as its been positioned to me). New watch words for freebies out there coined by Robbie, “Art not Assignments”. Turns out that despite the words that are put to me about my being able to contribute independently without art directing by the recievers of this work—they cannot hold themselves back. So, lots of direction. Lots of rework…from gift of work to gift of worked work…with no positive flowback to me. So, no more work that is an assignment. If you want a gift of illustration, it will be a gift (the way gifts can be suggested but not mandated), and not an assignment that the nonpaying clients do all but move my hand… Not fun and very time consuming. I only have so much free time, so if the free work isn’t fun, then it isn’t being done. Punto.

So, now that I am done with the griping. Forgive me. Just needed to get it off my mind.

We have a few publications on the boards that we are driving towards completion. The Toots illustration for the museum has changed from a vector illustration to line art…more evocative and less direct where we can focus on the line work of her hair…reflecting the linear, pulled canes that her work is centered around.We were trying to use the Milton Glaser portrait of Dylan as a starting point for this, but our curator thought it wasnt right as a model.

Am puzzling over the new brand we are going to be involved in…thinking about the rabbit holes that have been created for “creative” people to keep the work “creative”. Downside is that the creatives are kind of the inmates we need to protect our client from along with those who make magic with Microsoft Word and Powerpoint (those two “intuitive” layout tools). I think there will be a lot of redo on our parts…of work…peeling apart pdf files in adobe illustrator etc. Hmmm.

Its a cold day today…mild compared to Monday. Shady had a nice romp in the back forty with Elsa (her wonderful border collie friend) and now is conked out under my desk, cuddling with the radiator. The boys are busy finishing the new rooms with Jamie, the electrician, neatly running some new lines for lighting and electrical plug ins.

Catchup

Lotus Valentine, Q. Cassetti, 2011, sharpie.Loved my tutorials yesterday on Lynda.com. Learned about the new variable width line tool, the new pathfinder replacement shape —shaper. And the perspective tool. Oy. I dont use perspective this much, but what with this new easy tool, I would consider adding it to my palette of tools to offer. The Lynda.com tutorials are wonderful…and with the files, you can follow along and actually learn the stuff. I need to keep at it as it will make be more of a “proficient” quicker. And quite honestly, I should do the same for photoshop, acrobat and inDesign as it will inevitably save me time with the reeducation.

I need to catch on fire about something. I am in that miasma of not being neither fish nor fowl, not engaged in a topic but working along with the Mudhubari work…but not on fire. The silhouette illos were happening last year this time. Granted, the color work hadn’t happened at this time last year…and the bees hadn’t happened nor had it become a glimmer in my eye. So, there is time….but I am filled with agitation and worry that nothing will happen. But, it will… I know…

Made a pot roast and hung out with Alex last night. Rob was late as he had a dinner with a new consulting group at the Museum. Good things to happen it sounds like.

Today, I frosted a cake I made last night. I was fearful that Shady might have eaten the cake last night as she brought a half eaten sandwich from the bottom of someone’s bookbag and was cuddling with it on her bed last night. But, thankfully, the mouldy sandwich was far more appealing. I made a gigantic pot of spaghetti sauce for this week’s consumption this morning too. We had a visit from our old friends visiting from Montclair, NJ which was a delight….and here we are with the sky dark and the evening in front of us.

Rollercoaster

Works by Ganga Devi (1928 – 1991), found in the book Ganga Devi: Traditions and Expressions in Mithila Painting by Jyotindra Jain.

From A Journey around My Skull: Riding the Roller Coaster with Ganga Devi by Will Schofield
Works by Ganga Devi (1928 – 1991), found in the book Ganga Devi: Traditions and Expressions in Mithila Painting by Jyotindra Jain.
From Wikipedia: “Madhubani painting or Mithila Painting is a style of Indian painting, practiced in the Mithila region of Bihar … and Janakpur in Nepal.”
Jain explains Devi’s non-traditional subject matter:
While she was deeply rooted in the tradition [of Mithila painting], which was a source of inspiration in her work and of courage in her tormented personal life, she was one of the few Mithila artists to respond spontaneously and vigorously to the possibilities offered by the availability of paper in the region [starting in the early 60s]… With the availability of paper, Ganga Devi no longer confined herself to painting the ritual kohbar-ghar and aripan, with their limited vocabulary of symbols and images, but started to investigate the unlimited potential offered by line drawing….
Devi’s position as a preeminent traditional Mithila painter brought her opportunities to travel to Russia, the United States, and Japan…. Moscow Hotel, Festival of American Folk Life, and Ride in a Roller Coaster are examples of how an Indian village artist attempts to mythologize the great contemporary urban symbols of our time. In these paintings Ganga Devi transforms the ordinary commonplace images of hotel facades, motor cars, national flags, ticket-booths, roller-coasters, and people carrying shopping bags into imaginary and ‘fantastic’ objects.

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Ganga Devi, Stories of Rama (II), 1977, detail, Hanuman jumping across the oceanIsn’t this work remarkable, modern and clean. Devi can design like no one’s business.The minimal color, the line work, the use of white space and wild detail is considered, planned and so natural. The work just flows. Look at the lovely Monkey God, Haruman, at peace, running complete with a snake in his hand, and the greenery moving out of his way as she speeds by. And in the Madhubani tradition, there are the fish…always the fish confirming fertility.

I found this book on Alibris (affordable!) and have it coming. There are more images that I know we will share in the future from this exceptional artist. It was interesting that chatting with Marc V. today about folk art traditions, I was musing that we really do not have an American folk art tradition and he cleverly pointed out that we are a new culture (200 yrs) and this sort of tradition takes time. Come to think of it, isn’t graffiti a folk tradition? And there are the odd offshoots like Grandma Moses, the PA Germans, Watts Tower, Hobo art….but like our culture, there isnt a single thread….but a multiplicity of them. How many centuries old do we need to be as a culture before we have a national folk style?

Speaking of folk art, and folk style….check out this amazing Czech book posted by the amazing A Journey Around My Skull ( A Forest Story with illustrations by Rudolph Mate (1929)— Very Successionist inspired with wonderful pattern on pattern with basic color as suggested by the simple printing presses. Inspiring. I should google Mates and see what else he has done. This work is gorgeous. I want to see more.

Must go. The phone is ringing. Things need to get done and changed.

 

New Week

Indian Heads, Q. Cassetti,2011, pen and inkIcy cold today. Ice on the windshield—such that it was hard to see the road. A bit scary as Alex cajoled me while I drove with my head out of the window trying to triangulate on what I could see, pretend I could see and not see at all. Like driving with a shower door between you and the road.

Got a bunch of work done on some pubs today. And got a lovely opportunity for tomorrow to design some bus graphics! First a tractor trailer for the Museum. Then a container for the Museum. Then an airplane for Corning and my other client. And now a promotional bus!

It was dust lockdown central here. The boys were whaling away on a wall (new bathroom and reconfigured storage) in the new princess office area. All sorts of air breaks with tarps and tape, tarps/tape and tacks. It had it’s moments re noise, but it wasn’t anything the mute button on the phone could muffle. I think tomorrow is the end of the dust raising. Then, its rebuilding time.

I put some images up on the Directory of Illustration site (as I bought a page in the book last year and hadn’t taken advantage of the portfolio pages they make available (along with streaming blog and tweets). I think its a pretty robust offering (more expensive but more reach than the iSpot). We will see if it produces.

Looking at the weekend, already!

Indian Garden, Q. Cassetti, 2011, sharpieToday is a brilliant, blue sky day with sun beaming down on the back forty, casting long purple shadows on the walnut trees that I can see from my perch.

Speaking of perch, Rob and Mandy put together the absolutely gorgeous Martha Stewart “Craft Room” flat flies from Home Depot’s Home Decorator site>> I got three, pale warm grey “three drawer flat files” (which are subdivided drawers that you can customize the compartment shape). I know I promoted this last week, but now that we have the real thing in hand, I am even more enthusiastic. The quality is beautiful though its like IKEA times ten to put together….but if you are looking to equip a studio or need flat files (the metal ones will really set you back a pretty penny)…and you can look real, and functional without it looking industrial. Take a look. I now have a real live orderly place to put my things and try to keep my work in some semblance of normalcy. I think, I hope, I am on the edge of knowing that life is going to be more sane with this.

Yearbook was great today. The team has figured out the software and they are absolutely diving into it. I need to work with Victor on the cover as he has some high expectations with gradients and masks and stuff. Will need to see what we can do.

Need to dive into the workload. There are some things to critique. Things to specify. Some calls to make.