The rose is perhaps the most mystical and beautiful of symbols to Rosicrucians. The rose possesses both beauty and pain; one can not have the fragrant blossom without the accompanying thorns. This concept of dual nature pervades the writings of both the Kelpius settlement of 1694 and the Eighteenth-Century Community of the Solitary at Ephrata. At both settlements Rosicrucian symbolism and concerns were part of the organized belief structures of the members. As with the rose, so too in life we must take the good with the bad, the cross with the crown, the dark with the light, the pain with the joy.

A most beautiful and symbolic poem on the rose was written in the mid-eighteenth-century by Conrad Beissel, known as Vater Friedsam, Father Peaceful.

The rose is perhaps the most mystical and beautiful of symbols to Rosicrucians. The rose possesses both beauty and pain; one can not have the fragrant blossom without the accompanying thorns. This concept of dual nature pervades the writings of both the Kelpius settlement of 1694 and the Eighteenth-Century Community of the Solitary at Ephrata. At both settlements Rosicrucian symbolism and concerns were part of the organized belief structures of the members. As with the rose, so too in life we must take the good with the bad, the cross with the crown, the dark with the light, the pain with the joy.

A most beautiful and symbolic poem on the rose was written in the mid-eighteenth-century by Conrad Beissel, known as Vater Friedsam, Father Peaceful.

From Lucy Carroll's article on the Symbolism in Conrad Beissel's hymn